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Murugan, also known as Krttikeya ("son of Krittika"), Shanmukha ("one with six faces"), Kumra ("child or son"), and Skanda ("attacker"), among other names, is the young God of war and the patron deity of Tamil Nadu in South India. He is a popular Hindu deity among Tamil Hindus and is primarily worshipped in areas with a Tamil influence, such as Sri Lanka, Malaysia, and southern India.

 

Murugan rose to become the demi-gods' supreme general, leading the devas' army to victory over the demons. Tiruttanikai, Swamimalai, Tiruvavinankudi (Palani), Pazhamudirsolai, Tirupparamkunram, and Tiruchendur are the six locations where Karthikeya stayed while leading his armies against Surapadman. All of these locations have ancient temples that have been glorified by Tirumurugaatruppadai's Tamil poems from the Sangam period (c. the third century C.E.). These six locations became known as "Arupadai Veedu," which translates as "the Lord's six battle camps."

 

Murugan is portrayed as a bachelor in many Hindu stories. The majority of Murugan's major events occur during his youth, and legends surrounding his birth are popular. As a result, Murugan is frequently worshipped as a child-God, similar to how Krishna is worshipped in north India. In other Hindu myths, he has two wives, Valli and Devayani. At the time of Adi Shankara, one of the six major sects of Hinduism was the worship of Murugan as a youth (Kumara). Shankara's Shanmata system included this sect, demonstrating its historical significance.

 

Kartikeya was historically very popular in the Indian subcontinent. The Skanda Purana, one of the major Puranas, is dedicated to him. While explaining his omnipresence in the Bhagavad Gita (Ch.10, Verse 24), Krishna names the most perfect being, mortal or divine, in each of several categories. "Among generals, I am Skanda, the lord of war," he says as he does so.

Kartikeya's presence in religious and cultural circles can be traced back to the Gupta period. Kumaragupta and Skandagupta, two Gupta kings, were named after him. He can be seen in Gupta sculptures as well as the temples of Ellora and Elephanta. He became the patron of the ruling classes as the commander of the divine armies. His youth, beauty, and bravery were lauded in Sanskrit works such as the Kathasaritsagara. The birth of Kumara was the subject of a lyrical epic, the Kumaarasambhavam, written by Kalidasa.

The Kushana, who ruled from what is now Peshawar, and the Yaudheyas, a republican clan in Punjab, both struck coins depicting Skanda. The Ikshvakus, an Andhra dynasty, and the Guptas both worshipped the deity.

Kartikeya was also regarded as the patron deity of thieves in ancient India, as evidenced by the Mrichchakatikam, a Sanskrit play by Shudraka, and the Vetala-panchvimshati, a mediaeval collection of tales. This association stems from Kartikeya's digging through the Krauncha mountain to kill the demon Taraka and his brothers. Sarivilaka prays to him in the Mrichchakatikam before tunnelling into the hero's house.

 

However, Kartikeya's popularity in North India declined after the Middle Ages, and his worship is now almost unknown outside of Haryana. There is a very famous temple dedicated to Him in the town of Pehowa in Haryana, and this temple is very well-known in the surrounding areas, especially because this shrine celebrates the Brahmachari form of Kartikeya, and women are not allowed anywhere near it. A temple at Achaleshwar, near Batala in Punjab, and another Skanda temple atop the Parvati hill in Pune, Maharashtra, serve as reminders of former devotions to him. Another relic of his former popularity can be found in Bengal, where he is worshipped alongside Durga during the Durga Puja festivities.

 

Muruga has remained popular with all classes of society in South India since the Sangam period. This has resulted in more elaborate accounts of his mythology in Tamil, culminating in the Kandha Purnam, a Tamil version of Skanda Purana written by Kacchiappa Sivachariyar (1350-1420 C.E.) of Kumara Kottam in Kanchipuram. (He was a Tamil and Sanskrit scholar and adherent of the Shaiva Siddhanta philosophy.)

He is married to two deities: Valli, a tribal chief's daughter, and Devayani (also known as Devasena), Indra's daughter. During His bachelorhood, He was also known as Kumaraswami (or Bachelor God), with Kumara referring to a bachelor and Swami referring to God. Muruga rides a peacock and fights with a bow. A weapon associated with him is the lance (called Vel in Tamil). It was bestowed upon him by his mother, Parvati, and represents her energy and power. His army's flag features a rooster. During the war, the demon Soorapadman was split in half, and Murugan bestowed a boon on each half. As a result, the halves transformed into the peacock (his mount) and the rooster.

 

Because Muruga is primarily worshipped in South India, many of his names are of Tamil origin. Senthil, the red or formidable one, Arumuga, the six-faced one, Guha, and Maal-Marugan, Vishnu's nephew, are among them.

 

Murugan is worshipped throughout the Tamil calendar year. The Skanda Shasti is a six-day fast and prayer period observed in the Tamil month of Aippasi. He is worshipped during Thaipusam, a festival celebrated by Tamil communities around the world near the full moon of the Tamil month Thai. This commemorates the day his mother gave him a Vel (lance) to help him defeat the demons. His birth is commemorated by Vaikasi Visakam, or the full moon of the Tamil month of Vaikasi. Every Tuesday in the Tamil month of Adi is also dedicated to Murugan worship. Tuesday is associated with Mangala, the Hindu god of war and the planet Mars. This reveals Skanda's connection to Kujan (Mangala).

 

Murugan appears in Sanskrit literature as early as the first millennium BCE. There are references to Subrahmanya in Kautilya's Arthashastra, Patanjali's works, Kalidasa's epic poem the Kumarasambhavam, and the Sanskrit drama Mricchakatika.

Vedas

 

Kumaran is described in the Atharva Veda as 'Agnibhuh,' or the son of Agni, the fire god. The Satapatha Brahmana describes him as Rudra's son and the ninth form of Agni. The Gayatri mantra for Shanmukha is contained in the Taittiriya Aranyaka. Skanda is referred to in the Chandogya Upanishad as the "way that leads to wisdom."

 

Skanda is referred to in the Baudhayana Dharmasutra as "Mahasena" and "Subrahmanya." The legend of Kartikeya Skanda is recounted in great detail in the Mahabharata's Aranya Parva canto. The Skanda Purana is devoted to the story of Kartikeya. [3]

Hindu epics

The first elaborate account of Karthikeya's origin appears in the Mahabharata, where Murugan is said to have been born from Agni and Svaha after the latter impersonated six of the Saptarishi's seven wives (Seven Sages). The actual wives then become the Pleiades. Karthikeya is said to have been born to destroy the Asura Mahisha. (In later mythology, Mahisha became Durga's antagonist.)

Indra attacks Karthikeya because he sees him as a threat, until Shiva intervenes and makes Karthikeya commander-in-chief of the Devas' army. In addition, he is married to Devasena, Indra's daughter. The origin of this marriage is most likely the pun "Deva-sena-pati." It can mean either Lord of Devasena or Lord of Devas' army (sena).

The Ramayana version is more similar to the stories told in the Puranas, which are discussed further below.

Puranas

Though there are slightly different versions in the Puranas, they all follow the same pattern. By this time, the identification of Shiva/Rudra with Agni, which dates back to the Vedas and Brahmanas, had clearly established Karthikeya as Shiva's son.

 

According to the Skanda Purana, Shiva first married Dakshayani (also known as Sati), Brahma's granddaughter and Daksha's daughter. Daksha despised Shiva, who, as a symbol of destruction and detachment, begs for food, dances in an ash-strewn graveyard, and has no possessions, not even good clothes for himself. In a Yajna ceremony, Daksha publicly insults Shiva, and Dakshayani immolates herself. The Yajna is destroyed despite the protection of all the other Gods and rishis. Taraka believed that because Shiva is an ascetic and his previous marriage was difficult to conduct, remarriage was out of the question, and thus his boon of being killed by Shiva's son alone would grant him invincibility.

 

The Devas succeed in marrying Shiva to Parvati (who was Dakshayani, reborn), by waking up Manmatha (also known as Kama), the God of love, but Manmatha incurs the Lord's wrath, as indicated by the opening of his third eye—"Netri Kann," and being destroyed and resurrected. Shiva gives Agni his effulgence of the third eye, which he used to destroy Manmatha, because only he is capable of handling it until it becomes the desired offspring. Even Agni, tortured by its heat, gives it to Ganga, who deposits it in a lake in a reed forest (shara).

 

In this forest, a child with six faces is finally born. Six women representing the Pleiades—Kritika, in Sanskrit—first notice and care for him. As a result, he is given the name Karthikeya. He destroys Taraka as a young lad. Kumara is another name for him (Sanskrit for "youth")

Puranic irregularities

Given that legends about Murugan are told separately in several Hindu epics, there are some discrepancies between the various versions. According to some Sanskrit epics and puranas, he was Shiva's elder son. This is suggested by the legend surrounding his birth, which states that the marriage of Shiva and Parvati is required for the birth of a child who will defeat the demon Taraka.

 

In the Shiva Purana, Kartikeya is also seen assisting Shiva in his fight against the newborn Ganesha, Shiva's other son.

In the Brahma Vaivarta Purana's Ganapati Khandam, he is depicted as Shiva's elder son, with Ganesha as the younger. In South India, he is thought to be the younger of the two. In a Puranic story, Ganesha wins a contest with Murugan and obtains a divine mango of knowledge from Narada. While Murugan races around the world three times to win the mango contest, Ganesha circumambulates Shiva and Parvati three times in exchange for the mango. He offers to give the mango to his upset brother after winning it.

 

Murugu is mentioned in Tamil Sangam Literature (early centuries C.E.) as a nature spirit who is worshipped with animal sacrifices and is associated with a non-Brahmanical priest known as a Velan, a name later used to refer to the deity himself. Murugu worship frequently took place in the woods or in an open field, with no specific structure. The Veriyaattu, a form of ritual-trance-dancing that is still practised in Tamil Nadu, Kerala, and Malaysia, was among the rituals performed. Murugu was thought to have control over the chaotic and could be appeased through sacrifices and Veriyaattu to bring order and prosperity.

 

Murugan, "the red god seated on the blue peacock, who is ever young and resplendent," was glorified as "the favoured god of the Tamils" in Tolkappiyam, possibly the most ancient of the extant Sangam works. [4] The Sangam poetry divided space and Tamil land into five allegorical areas, and Murugan was the presiding diety of the Kurinci region, according to the Tirumurugarruppatai (c. 400-450 C.E.) attributed to the great Sangam poet Nakkiirar (hilly area).

The Paripaatal, Akananuru, and Purananuru are three other Sangam era Tamil works that detail Murugan.

 

Architectural finds of pottery in Tamil Nadu and elsewhere had ideographic inscriptions of this name dating back to the third century B.C.E. [5] The ideographs, according to noted epigraphist Iravatham Mahadevan, represent a brave warrior capable of killing evil demons to save the devoted.

Lord Muruga was worshipped for teaching Lord Shiva the meaning of the Pranava Mantra (OM).

 

Murugan's main temples are located in Southern Tamil Nadu. They include the Aru Padaiveedu (six houses—rather, military camps in his campaign against demons)—Thiruchendur, Swamimalai Pazhamudircholai, Thirupparangunram, Palani (Pazhani), Thiruthani—as well as other important shrines such as Mayilam, Sikkal, Marudamalai, Kundrathur, Vadapalani, Kandakottam, Apart from the famous Pehowa temple in Haryana, Malai Mandir, a prominent and popular temple complex in Delhi, is one of the few dedicated to Murugan in all of North India.

 

The key temples in Sri Lanka include the sylvan shrine in Kataragama/(Kadirgamam), or Kathirkamam in the deep south, the temple in Tirukovil in the east, the shrine in Embekke in the Kandyan region, and the famed Nallur Kandaswamy temple in Jaffna.

In Malaysia, there are several temples dedicated to Murugan, the most well-known of which is the Batu Caves near Kuala Lumpur. At the entrance to the Batu Caves, there is a 42.7 m high statue of Lord Murugan, the world's largest Murugan statue.

 

Sri Thendayuthapani Temple on Tank Road in Singapore is a major Hindu temple where the Thaipusam festival is held each year, with devotees of Lord Muruga carrying Kavadis seeking penance and the Lord's blessings.

Highgate Hill Murugan temple is one of the oldest and most well-known in the United Kingdom. On July 6, 2002, Queen Elizabeth II of the United Kingdom paid her first visit to this temple as part of the Golden Jubilee celebrations.

For all Australian Hindus, the Sydney Murugan temple in Parramatta (Mays Hill) is a major Hindu temple.

 

Sri Lankan worship

In Sri Lanka, Tamil Hindus and Sinhalese Buddhists both worship Kartikeya or Murugan. There are numerous temples on the island. He is a popular deity among ordinary people everywhere, and it is said that he never hesitates to assist a devotee when called upon.

Kartikeya is worshipped in the deeply Sinhalese south of Sri Lanka at the Kataragama (Kathirkamam) temple, where he is known as Katragama Deviyo (Lord of Katragama) or Kathiravel. This temple is located next to an old Buddhist temple. According to local legend, Lord Murugan landed in Kataragama and was smitten by Valli, one of the local aboriginal deities.

 

They married after a courtship. This occurrence is interpreted to mean that Lord Murugan is accessible to all who worship and love him, regardless of birth or heritage.

The three most important Murukan temples in Jaffna are the Nallur Kandaswamy temple, the Maviddapuram temple, and the Sella channithy temple near Valvettiturai. The Chitravelautha temple in Verukal, on the border of Trincomalee and Batticaloa, and the Mandur Kandaswamy temple in Batticaloa are also noteworthy.

 

The late medieval-era temple of the tooth in Kandy, dedicated to the Buddha's tooth relic, is flanked by a Kataragama deiyo shrine dedicated to Skanda veneration in the Sinhalese tradition.

In Sri Lanka, Hindus and Buddhists worship him together at the highly sacred Buddhist and Hindu shrine Katharagama temple (also known in Sinhala as "Katharagama Devalaya"), which is located deep south in the country.

 

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